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Books Read
Intro to Books Read
Now I am going to introduce a curious old document that I found by chance while searching for something else in my old library-study in Berkeley. It is a list--and I can’t recall why or when I made it--of all the books I read during a period of four years or so? from my entry into the Army in 1944 until some time in 1948 when I had returned from the Army and was an undergrad student at U.C. again. The term “books” is used loosely--some are collections of plays, or long poems, etc.
I carried books with me always when I was in the Army, because we spent so much time waiting, time that could be spent reading. I was bawled out often for having a bulge in the pocket of my uniform, a bulge that was a pocket book, one of the Oxford World Classics or something like that. In free time in Ann Arbor I haunted bookstores, especially one called Wahr’s on State Street near the campus--it is no longer there. As a special customer I was allowed to descend into their basement where a great many books were stored--I found treasures there. I carried books in the footlocker that held all the soldier’s belongings; I had (and still treasure) a small leather-bound India-paper volume of the poems of Robert Browning that I meant to take into battle if I were ever sent to the battlefield, to carry over my heart to stop bullets, as the Bible had reportedly done for others.
Many of the books on this list now bring back no memories at all--I can’t remember why I read them, or what they were about. Others, on the other hand, stir nostalgia and an urge to find copies and read them again--as of course I never will. A few are still in my old library in Berkeley--Max Beerbohm’s A Christmas Garland, Ben Hecht’s Count Bruga, for two. (If you enjoy delicious parodies and don’t know Beerbohm’s book, find a copy--a treasure.)
Appended to the List of Books Read is a list of espionage novels that I read and liked during this early period, as a guide to what I considered the especially good ones. A note at the end mentions the authors I would of course include if I were to update it, especially three: John le Carre (his early books especially), Alan Furst, Charles McCarry (serious spy novel readers need to find all of his and read them, ideally in sequence since a kind of all-over narrative connects them.)
So, here it is to browse and wonder over: where did he find that? And why would anybody read it?
James Cahill February 20, 2012
BOOKS READ (from Jan. 2, 1945, entry into Army, until 1948?)
I. Ann Arbor (Jap. Language School)
1. Pride and Prejudice: Jane Austen
2, Count Bruga: Ben Hecht (second time)
3. The Somerset Maugham Pocket Book (Cakes and Ale, The Circle, stories, essays)
4. Old Man Adam and His Children: Roark Bradford
5. Anna Karenina (2 vols.)
6. Six Elizabethan Plays (1. The Knight of the Burning Pestle, Beaumont & Fletcher; Philemon: Webster; 3: The Duchess of Malfi, 4. The White Devil, Dekker; 5. The Shoemaker’s Holiday, Massinger; 6. A New Way To Pay Old Debts.)
7. Shakespeare Tempest, As You Like It, Merry Wives of Windsor.
8, 9, Ruskin: Sesame and Lilies, Ethics of the Dust.
10-12, George Moore, Hail and Farewell (3 vols: Ave, Salve, Vale)
13. John Austen, Rogues in Porcelain: 18th cent. lyrics.
14. Kenneth Grahame, Pagan Papers (second time)
15-17. Christopher Morley, Thorofare, last half; The Powder of Sympathy (read by bits at USO), Ex Libris Carissimus
18. Flaubert, Madame Bovary (on first furlough)
19, Yeats: five or six plays, many poems.
Poetry of many sorts; magazines (chiefly Encore, Tomorrow)
20. Parts if Romany Rye, Tristram Shandy, Rabelais, etc.
21. Gissing, Private Papers of Henry Ryecroft.
22. Rockwell Kent, Wilderness (this includes much time enjoying the pictures)
23. Kenneth Grahame & wife, First Whispers of The Wind In the Willows.
24, F. A. Steel, Arthur Rackham illus., English Fairy Tales.
25. Hendrik de Leeuw, Cities of Sin—on the Oriental underworld.
26. Robinson Jeffers, The Tower Beyond Tragedy (dramatic poem)
27. Christopher Morley (Arthur Rackham illus.) Where the Blue Begins
28, Poems, Translations from the Chinese; Christopher Morley, The Rocking Horse.
(This much by June1,1945)
II. Basic Training in Alabama.
29. James Stephens, In the Land of Youth.
30. W. B. Yeats, The Great Hern’s Egg, and Other Plays.
31. Lawrence Housman, A Farm in Fairyland.
32. Kenneth Grahame, The Headswoman (second time)
33. Octave Mirbeau, The Torture Garden
34. Alexander Smith, Dreamthorp and Other Essays
35. Anatole France, Penguin Island
36. George Moore, Evelyn Innes
37. Llewelyn Powys, Love and Death
38. Robert Frost, The Masque of Reason
39. Isaac Walton, The Complete Angler.
40.John Cowper Powys, The Meaning of Culture
(Second furlough)
41, Thomas Love Peacock, The Misfortunes of Elphin
42. Peacock, Headlong Hall
43. George Moore, Avowals
44, Essays from Charles Lamb
“ “ George Moore, Impressions and Opinions, Modern Art
“ “ the prose works of Francis Thompson
45. Chaucer, The Miller’s Tale, Reve’s Tale, Monk’s Tale, Merchant’s Tale, from Canterbury Tales
46. John Gay, The Beggar’s Opera
47. Petronius Arbiter, Satyricon
48. Maeterlinck, Pelleas and Melisande
49. The Pilgrim’s Progress, Part I.
50. Ludwig Bemelmans, Small Beer
51. “ “ , My War With the United States
52. Byron, Don Juan, Cantoes I – IV.
53. Darrel Figgis, The Return of the Hero.
54.Clarence Day, Scenes from the Mesazoic
55. Jean de Bouscheres, illus., Folk Tales of Flanders
56. Hermann Kesten, Copernicus and His World.
57. Abbe Prevost, Manon Lescaut
58. Anais Nin, Under a Glass Bell
59. Anatole France, The Gods Are Athirst
60. Longus? tr. George Thornley, illus. John Austen: Daphnis and Chloe
61. Kate Greenaway, Under the Window
62. Flaubert, Temptations of St. Anthony
63.George Borrow, The Romany Rye
64. Lord Dunsany, Last Tales of Wonder
65. Horace Gregory, trans., The Poems of Catullus
66. George Dorsey, Man’s Own Show: Civilization (Harriette) ch. 1-8
67. Anatole France, The Revolt of the Angels
68. W.B. Yeats, The Wanderings of Ossian (dramatic poem)
69. Richard Garnett, The Twilight of the Gods (short stories etc.)
70. Lord Dunsany, My Talks with Dean Spanley (?)
71. Oliver Goldsmith, She Stoops To Conquer
(To here by Jan.1, 1946)
72. Ella Young, Flowering Dusk
73. H. P. Lovecraft, The Weird Shadow Over Innsmouth etc.
73a. Fiona MacLeod, Deirdre and the Sons of Usnach.
74, Voltaire, Candide (reread) (Here on third furlough)
75. Antoine de Saint-Exupery, Wind, Sand, and Stars
76. F. Scott Fitzgerald, The Great Gatsby
77.A. Merritt, The Ship of Ishtar
78. A. Merritt, Dwellers in the Mirage
IV. Basic Training, Alabama
79. William Saroyan, 48 Short Stories
80. Five Pre-Shakespearian Comedies, ed. Boas.
1, Fulgens and Lucrece, Medwall
2. The Playe Called the Foure PP, John Heywood
3. Ralph Roister-Doister, Nicholas Udall
4. Gammer Gurton’s Needle, Mr. S. Ma. of Art
5. Supposes, George Gascoigne
V. Fort Snelling, Minnesota
81. H. P. Lovecraft, The Dunwich Horror, The Shadow Out of Time
82. Walt Whitman, Prose Notes from Nature
83. Henry James, The Death of the Lion (Y.B.)
84. Antoine de Saint-Exupery, Night Flight
85.Oscar Wilde, The Decay of Lying
86.James Thurber, The White Deer
87. Thomas de Quincey, Confessions of an English Opium-Eater
88. Robert Gibbings, Lovely Is the Lee
89.Erskin Caldwell, God’s Little Acre
90. Walter de la Mare, The Return
91. Oscar Wilde, A Woman of No Importance
92. Henry James, The Coxom Friend (?) (YB)
93. Shakespeare, King Lear (reread), Timon of Athens
94. W. H. Hudson, Green Mansions
95. H.W. Longfellow, The Spanish Student (play, worthless)
96. John dos Passos, Manhattan Transfer
97. John Collier, Defy the Foul Fiend
98. D. H. Lawrence, The Lovely Lady
99. Christian Darnton, You and Music
100. Kaufman and Hart, Once In a Lifetime, You Can’t Take It With You
101.Ben Johnson, Every Man In His Humour
102. Sophocles, Oedipus Rex
103. George Gissing, The House of Cobwebs
104, Virginia Woolf, Orlando
105. Ralph Temple, Cuckoo Time
106. Andre Maurois, Ariel: The Life of Shelley
107. Christopher Morley, Thunder On the Left
108. Max Beerbohm, Zuleika Dobson
109. S. J. Perelman, Crazy Like a Fox
110. H.. P. Lovecraft, In the Vault, The Rats in the Walls, Pickman’s Model, The Music of Erich Zann, The Color Out of Space, The Call of Cthulhu, The Moon Bog, The Hound.
111. Irving Stone, Lust For Life (life of van Gogh)
112. Ludwig Bemelmans, I Love You, I Love You, I Love You
113.Arthur Machen, The Great God Pan, and Other Stories
114.John Collier, Green Thoughts, and Other Stories
115. Aeschylus, tr. Lewis Campbell, The Early Plays: The Persians, The Suppliants, Seven against Thebes,
116, Lord Dunsany, The Book of Wonder
117.James Stephens, The Charwoman’s Daughter (Mary, Mary)
118. Robert Lawson, Mr.Wilson (illus. by author)
119. Aeschylus, tr. Lewis Campbell, The Late Plays: The Orestrean Trilogy: Agamemnon, The Choephoroe, The Eumenides; also Prometheus Unbound.
120. Jessie (?) The Undying Monster
121. Goldoni, The Liar
122. Yone Noguchi, Harunobu
123. Frank Lloyd Wright, Japanese Color Prints: An Appreciation
124. Henry James, Daisy Miller, An International Episode, The Author of Beltruffio.
125. Edward F. Strange, Japanese Color Prints
126. Rupert Brooke, Collected Poems
127. H. Rider Haggard, She
128. (skipped)
129. Sir Thomas Browne, Religio Medici
130. H. Davison Ficke, Chats on Japanese Prints
131. Norman Krasna, Dear Ruth, play.
132. Sir Thomas Malory, Morte d’Arthur Books I-VII (reread)
133. Algernon Blackwood, Short Novels and Stories
134. Jeremiah Digger, Bowley Bill
135, Sir Thomas Browne, Hyudriotaphia, or the Urne Buriall
136, W. H. Hudson, The Purple Land
137. G. B. Shaw, Mrs. Warren’s Profession (with Author’s Apology)
138. Lord Dunsany, Time and the Gods
139. Samuel Butler, The Way of All Flesh
140. Oscar Wilde, The Importance of Being Earnest
141. Walter Pater, The Child In the House, Conclusion to Studies in the Renaissance, Sebastian von Storck, etc.
142. F. Scott Fitzgerald, The Diamond As Big As the Ritz, and Other Stories
143. Virginia Woolf, The Years
144. Stefan Zweig, The Royal Game, Amok, Letter From an Unknown Woman
VIII. Korea
145. H. L. Wilson, Ruggles of Red Gap
146, Dorothy Parker, Sunset Gun: verses
147.A. A. Milne, The Red House Mystery
148. Thornton Wilder, Our Town
149. Alexander Woolcott, While Rome Burns
150, Pearl S. Buck, The Good Earth
151. Joseph Wechsberg, Looking For a Bluebird
152. Morton Thompson, Joe, the Wounded Tennis Player
153. Herman Melville, Moby Dick or The Whale
154.Nicolai Gogol, Dead Souls
155.Ivan Turgeneff, Fathers and Sons
156. Lawrence Watkins, On Borrowed Time
157.H.H. Munro (Saki) 24 Short Stories
158.Arthur Kober, Thunder Over the Bronx
159. John van Druten, The Voice of the Turtle
160. James Gibson Huneker, Painted Veils
161. Aaron Copland, What to Look For in Music
162. Walter Savage Landor, Imaginary Portraits
163.John Erskine, The Private Life of Helen of Troy
164.Whit Burnett, ed., Time To Be Young (anthology)
165. John O’Hara, Pal Joey
166. Max Beerbohm, A Christmas Garland
167. Virginia Woolf, To the Lighthouse
168. Kaufman and Ryskind, Of Thee I Sing
169. Maxwell Anderson, Elizabeth the Queen
170. Edmund Wilson, Memoirs of Hecate County
171. Maxwell Anderson, What Price Glory
172. Eugene O’Neill, Anna Christie
173. Frederick William Gookin, Japanese Colour Prints and Their Designers
174. John Galsworthy, Escape
175. R. C. Sheriff, Journey’s End
176. Stephen Crane, Whilomville Stories
177.G. B. Shaw, Candida
178. D. H. Lawrence, The Portrait of M. M.
179. Luigi Pirandello, Six Characters In Search Of An Author
180. Edmund Rostand, Cyrano de Bergerac, reread.
181 Arthur Schnabel, Music and the Line of Most Resistance
182. Maxim Gorky, The Lower Depths
183. George Moore, Esther Waters
184. E. B. White, The Fox of Peapack and Other Verses
185, Ferenc Molnar, Liliom
186, James Stephens, Collected Poems
187, A. E. Housman, Collected Poems
188. Robert Herrick, Love Poems
189. George Moore, Heloise and Abelard
190. E. B. White, Stuart Little
191. Kenneth Patchen, Memoirs of a Shy Pornographer
192. G. K. Chesterton, The Man Who Was Thursday
193. Virginia Woolf, The Second Common Reader
194. Philip Wylie, Night Unto Night
195. Marcel Proust, Swann’s Way
196. Sally Carrighan, One Day On Beetle Rock
197. Max Shulman, Barefoot Boy With Cheek
198.Walt Whitman, Specimen Days (pages from his journal)
199. Edwin Bulmer and Philip Wylie, When Worlds Collide
200. Philip van Doren Stern, ed. The Moonlight Traveler, anthology
201. Isaac Dineson, Winter’s Tales
Jan. 2, 1947
202. E. M. Forster, A Passage To India
203.James Joyce, A Portrait of the Artist As a Young Man
204. Andre Malraux, Man’s Fate
205. John O’Hara, Pipe Night
206. Adolf Dehn, Water Color Painting
207. Virgil Thompson, The State of Music
208. T. H. White, Mistress Masham’s Repose
209. Christopher Isherwood, Prater Violet
210. Thorne Smith, Rain in the Doorway
211. Joseph Conrad, Typhoon
212.Max Schulman, The Zebra Derby
213. James Stephens, The Crock of Gold, reread.
214. George Papashvilz, Anything Can Happen
214. Henry James, The Portrait of a Lady
216. Ben Hecht, Concerning a Woman of Sin, and Other Stories
217. Henry James, The Turn of the Screw, reread
218. Graham Greene, The Confidential Agent
219. E. E. Cummings, The Enormous Room
220. Henry James, The Lesson Of the Master
221. Walter Pater, Imaginary Portraits.
222. J. M. Synge, In the Shadow of the Glen, The Tinker’s Wedding, Deirdre of the Sorrows, reread.
223.Oscar Wilde, De Profundis
224. J. M. Synge, The Playboy of the Western World, The Well of the Saints, Poems, reread.
225. James Henry Duveen, Art Treasures and Intrigue
226. Christopher Morley, John Mistletoe
227. J. M. Synge, The Aran Islands, reread
228. John McNulty, Third Avenue, New York
229. Henry Fielding, Tom Jones
230. G. B, Shaw, Saint Joan
231.William Maxwell, The Folded Leaf
232, E. E. Cummings, Tulips and Chimneys, XLI Poems
233. George Harriman, Krazy Kat, Preface by E. E. Cummings
234. Osvald Siren, The Chinese On the Art of Painting
235. Oscar Wilde, The Picture of Dorian Grey
236. E. E. Cummings, W, No Thanks, Last Poems
237. Evelyn Waugh, Decline and Fall
238. Joel Sayre, Rackety Rax
239. Walter de la Mare, Peacock Pie (reread), Bells and Grass, verse
240. Virginia Woolf, Between the Acts
241. Five Great Modern Irish Plays, including J. M. Synge, The Playboy of the Western World, Riders To the Sea (already read), Sean O’Casey, Juno and the Paycock, Lady Gregory, Spreading the News, Paul Vincent Carroll, Shadow and Substance.
242. John Dos Passos, Number One
243, Norman Douglas, South Wind
244. Virginia Woolf, Monday Or Tuesday
245. Thomas Hardy, Under the Greenwood Tree
246. Kenneth Fearing, The Big Clock
247. Max Beerbohm, Zuleika Dobson (reread)
248. Sherwood Anderson, Winesburg Ohio
249. Walter de la Mare, Behold the Dreamer
250. William Saroyan, Razzle Dazzle
251. Ambrose Bierce, In the Midst of Life
252. James Branch Cabell, Jurgen
253. Jaraslov Hasek, The Good Soldier Schweik
254. Baudelaire, Selected Poems, trans G. A, Wagner, intro. Enid Starkie
255. Maxwell Anderson, Winterset
256.James Branch Cabell, There Were Three Pirates
257. P. L. Travers, Mary Poppins, Mary Poppins Comes Back
258. F. Scott Fitzgerald, Tender Is the Night
259. James Joyce, Ulysses
260. Huysmans, Against the Grain
261. D. H. Lawrence, Lady Chatterley’s Lover
262, Thomas Wolfe, Look Homeward Angel
263, George Moore, The Brook Kerith
264. Five Elizabethan Tragedies, including:
Jasper Heywood, Thyestes
Norton & Sackville, Gorboduc
Kyd, The Spanish Tragedy
Anon., Arden of Feversham
Thos. Heywood, A Woman Killed With Kindness
265. Walter Barton, This Is My Beloved, poems
266. Thomas Wolfe, Of Time and the River
267. Dostoievsky, The Gambler, Notes From Underground
268, Herman Wouk, Aurora Dawn
269. J. A. Symonds, Wine Women and Song: Medieval Latin Student Songs
270, Shakespeare, Othello
271. Dostoievsky, The Eternal Husband
272, Thomas Wolfe, A Stone, A Leaf, A Door
273. Mary Webb, Precious Bane
274. Dostoievsky, The Brothers Karamazov
25. Lawrence Housman, Victoria Regina
276. Christopher Morley, Human Being
277. Ruth Benedict, Patterns of Culture
278. Richard Sale, Not Too Narrow, Not Too Deep
279. Isaac Dineson, Seven Gothic Tales
280. Algernon Blackwood, The Silence
281, Kenneth Fearing, Clark Gifford’s Body
282. Graham Greene, The Ministry of Fear
283. E. A. Robinson, Tristram
284. Brahms & Simon, Don’t, Mr. Disraeli
285. Graham Greene, The Orient Express
286. Walter de la Mare, Memoirs of a Midget
287, Frederick Prokosch, The Asiatics
288. Mary Webb, The Golden Arrow
289, John Tasker Howard, This Modern Music
290. Frederick Prokosch, The Conspirators
291. Yosup Chu, Kim Yuan: The Romance of a Korean Woman of the 7th Century
292, W. H. Auden, The Sea and the Mirror, New Year’s Letter, Songs and Other Musical Pieces
293. Andre Gide, The Counterfeiters
294, Richard Hughes, A High Wind in Jamaica
295. Frederick Prokosch, Idols of the Cave
296. Cecil Stewart, Byzantine Legacy
297. Christopher Morley, The Trojan Horse
298. Stendhal, The Red and the Black
299. John Dos Passos, 42nd Parallel
300. John Dos Passos, 1919.
301. Eugene O’Neill, The Iceman Cometh
302. Jean Charlot, Art From the Mayans to Disney
303. Bruno Frank, The Days of the King
304. John Dos Passos, The Big Money
305. J. A. Symonds, In the Key of Blue, and Other Essays
306. E. H. Visiak, Medusa
307. Paul Goodman, The Facts of Life
308. Anais Nin, Children pf the Albatross
309, Anais Nin, The House of Incest
310, Thomas Wolfe, The Web and the Rock (unfinished)
311. Will Rothenstein, Men and Memories (vol. I: 1872-1900).
312. Charlotte Armstrong, The Unsuspected
313. E. M. Forster, The Longest Journey
314. Kunigita Doppô, Shôjiki Mono, Jonan, Ummei Ronsha (in Japanese)
315, Will Rothenstein, Men and Memories (vol. 2, 1900-present)
316. Elizabeth Ruggles, Gerard Manley Hopkins: A Life
317. Elmer Rice, A Voyage To Purilia.
318. M. P. Shiel, The Purple Cloud
319. Ludwig Bemelmans, Dirty Eddie
320. Rudolf Besier, The Barrotts of Wimpole Street
321. Willa Cather, Oh Pioneers
322. G. B. Shaw, Short Stories, Scraps and Shavings
323. Dostoievsky, The Idiot
324. M. P. Shiel, The Black Box
325. Anais Nin, Ladders To Fire
326. John Steinbeck, Of Mice and Men
327. Chekov, Short Stories
328. Dorothy B. Hughes, The Delicate Ape
329. John Tasker Howard, On Modern Composers
330. (skipped)
331. H. Rider Haggard, King Solomon’s Mines
332. George Meredith, The Ordeal of Richard Feveral
333. Walter Karig, Zotz!
334. Katherine Ann Porter, Selected Short Stories
335. Thomas Mann, Joseph and His Brothers
336. Pietro Donato, Christ in Concrete
337. Eugene O’Neill, The Long Voyage Home
338. Francois Viollon, Poems, trans. J.P. Lepper (reread)
339. H. G. Wells, The Food of the Gods
340. Aristophanes, Comedies, vol. I: The Knights, The Acharnnians, Peace, Lysistrata, The Clouds
341, H.L. Mencken, Heathen Days
342. Earl Stanley Gardner, The Case of the Black-Eyed Blonde
343, William Irish, Phantom Lady
344. Aristophanes, Comedies, vol. II: The Wasps, The Birds, The Frogs, Plutus, The Thesmophorizusae, The Ecclesiaszusae
345. John Gay, Polly
346. W. S. Ede, Savage Messiah
347. Ludwig Lewissohn The Tyranny of Sex
348. F, L. Green, Odd Man Out
349. E. M. Forster, Room With a View
3509, Natsume Soseki, Inhuman Tour (Kusamakura)
351. George Moore, Celibates
352. H. H. Munro (Saki), The Unbearable Bassington
353. Max Beerbohm, Seven Men
354, Franz Kafka, The Trial
355. Osvald Siren & Others, Studies in Chinese Art and Some Indian Influences
356. D. H. Lawrence, Sons and Lovers
357. Franz Kafka, Metamorphosis
358. Maeterlinck, The Death of Tintagulea
359. Graham Greene, The Man Within
360. Kenneth Fearing, Dagger Of the Mind
361. Norman Lindsay, Age of Consent
362. Richard Wright, Uncle Tom’s Children
363. E. M. Forster, Howard’s End
364, John Cleland, Fanny Hill
365. The Kamasutra
366. Edwin Muir, The Marionette
367. Norman Lindsay, The Cautious Amorist
368. john O’Hara, Butterfield 8.
369, Thorne Smith, The Glorious Pool
370. Elinor Wylie, The Venetian Glass Nephew
371. Henry Miller, Tropic of Cancer
372. Albert Camus, The Stranger
373. George Cronyn, The Fool of Venus
374. Maude Magher, White Jade
375. Christipher Marlowe, The Jew of Malta
376. Anonymous, The West Chamber
377. Haskins, The Normans in Europe
378, Barker, The Crusades
379. Henry Adams, Mont St. Michel and Chartres
380. Thomas Mann, Doctor Faustus
381. Rose Quong, trans., Chinese Love and Ghost Stories
382. Andre Gide, The Immoralist
383. Burkhardt, The Civilization of the Renaissance in Italy
384. Marco Polo, Travels
385. Alan Watts, The Spirit of Zen
386. Eric Ambler, Journey Into Fear
387. “ “ , Background to Danger
388. “ “ , Cause For Alarm
389. Manning Coles, Let the Tiger Die
390. Roger Maxwell, Film
391. Ida Zeitlin, Gessar Khan
392. Charles Louis Philippe, Bubu of Montparnasse
393. Eric Ambler, A Coffin For Demetrius
394. Graham Greene, Brighton Rock
395. “ “ , This Gun For Hire
396. D. T. Suzuki, Introduction to Zen Buddhism
397. Thomas Mann, Death In Venice
398. Tanizaki Junichiro, Ashikari
399. Truman Capote, Other Voices, Other Rooms
400. Tanizaki Junichiro, The Story of Shunkin
401. Arthur Waley, Three Ways of Thought In Ancient China
402. Kenkô Hôshi, The Harvest of Leisure (Tsure-zure Gusa)
403. Gilbert Collins, The Starkenden Quest
404. Anon. Chin P’ing Mei
405. Ruth Benedict, The Chrysanthemum and the Sword
Supplement: List of International Intrigue & Espionage Novels (written ca. 1950, maybe a bit later)
The Great Masters
1. Eric Ambler.
a) Earliest, not so adroit as later: Epitaph For a Spy.
The famous four: b) Background to Danger
c) Cause for Alarm (these two including Zaleshoff, a
Russian agent, and his sister)
d. Journey Into Fear
e. A Coffin For Demetrios
More recent, still first-rate: f) Judgement On Delchef
Co-authored under the pen-name of Elliott Reed: g. Skytip, another.
2. Graham Greene
a) The Confidential Agent (favorite of mine)
b. The Ministry of Fear. Both masterpieces of the genre.
c. The Third Man. Not really espionage, but same atmosphere. (Later: The Tailor of Panama, comic-espionage.)
d. The Orient Express (early work)
3. Almost in the same rank: Dorothy B. Hughes
a) The Delicate Ape. Finest of the lot; read all in one sitting if possible.
b) The So Blue Marble. Not quite a spy story, but same technique.
c) The Bamboo Blonde, genuine spy story with same characters as b),
d) The Fallen Sparrow. Also one of the best. Also e) The Blackbirders
f) Johnny, g) The Candy Kid, all worth reading.
4. Peter Cheyney, an English writer, does spy stories of a particular sort, concerning network of British agents masterminded by man named Quayle.
a) The London Spy Murders
b) The Dark Street Murders
c) Dark Interlude, and others.
(He also writes imitation-Hammett private eye mysteries)
5. Darwin L. Teilhet & Hildegarde Tolman Teilhet, co-authored:
a) The Fear-Makers. Good book.
He has written several others, names of which I can’t recall; she has written at least four five spy novels, all including a Colonel Hook as deus ex machina:
a) The Assassins b) The Double Agent c) The Rim of Terror, d) The Terrified Society, or something like that—set in Latin America—a pocket book edition appeared under a different title.
6. John P. Marquand: the Mr. Moto stories. All very skillfully written, enjoyable. Curious semi-glorification of Japanese espionage. Dated, of course. See the movies with Peter Lorre as Mr. Moto.
7. Manning Coles. A long series of novels about a British agent, Tommy Hambledon. More relaxed, slower moving than Green, Ambler, Hughes variety; not so exciting, but worth reading. Drink to Yesterday, A Toast To Tomorrow, are the first of them; many follow.
8. Michael Innes (John Innes MacIntosh Stewart).
a) The Case of the Journeying Boy. His only real spy novel, so far as I know. Wonderful.
b) The Paper Thunderbolt. Same sort of thing, well written, like all his novels. Highly recommended.
9. E. Phillips Oppenheim: the old school of espionage writing, seems rather lumbering now.
10. John Buchan. Also old school, but still holds up, although slow.
The 39 Steps, The Four Hostages, Greenmantle, others.
11. Geoffrey Household. In the John Buchan tradition.
a) Manhunt (movie title: Rogue Male.) Probably his best. [Reread recently, 2009: still holds up.]
b) The High Place. Curious book about a colony on international pacifists.
c) Arabesque. Not primarily a spy novel.
d) A Rough Shoot, e) A Time To Kill. Both somewhat disappointing after the above; e) is actually about the efforts of Russian agents to spread the hoof-and-mouth disease among British cattle!
12. Victor Canning
a) A Forest of Eyes, b) Panther’s Moon c) The Chasm, d) The Golden Salamander, e) another located in Venice, don’t recall title. All above average, well worth reading.
13. John Sherwood, Mr. Blessington’s Imperialist Plot, and another one since. Pretty good.
14. Van Wyck Mason: A long series involving one Major Hugh North. Sloppier, slower, more in magazine-serial style. Last resort reading.
15. Frederick Hazlitt Brennan, Memo To a Firing Squad. Not bad, not first rank.
16. Robert Parker, Passport to Peril, also another one, minor. To be read when one runs out of other things.
17. Kenneth Millar: The Dark Tunnel, perhaps others. He’s the one who changed his name to John D. MacDonald, copied the Chandler formula, went on to write best-seller private-eye books (Lew Archer).
18, Martha Albrand, No Surrender and Without Orders. More realistic, quite good.
19. Barton MacLean (?) The Baited Blonde. Adventure-story type, not first rate, but good enough of the sort.
Haven’t yet read:
David Garth, Appointment With Danger
Pat Frank, An Affair of State
George Griswold, A Gambit for Mr. Groole
Helen MacInnes: Above Suspicion, others. [Later: I read most of hers, enjoyed them, can recommend them.)
(Afterword, June 2010: Needless to say, if this were updated it would include the major John Le Carre books, the Alan Furst books, lots of others. I haven’t the energy or time to attempt updating it, and offer it only as a list of what seemed worth reading back around 1950.
James Cahill.)
(If I were writing about private-eye novels of the Hammett-Chandler type, for people who have read all of theirs and want more, I would recommend Thomas Dewey: pretty good of that genre.)
Anyone interested in the espionage genre should find and read all the books of Charles McCarry, ideally in rough chronological order, since they form a kind of continuous narrative, up to his last book which rounds off the series.
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