About James Cahill
Bibliography  > 

1957
"A Clouded View of Chinese Painting" (a review of The Tao of Painting by Mai-mai Sze). In: Virginia Quarterly Review (Summer, 1957), pp. 476-480.

Review of: The Arts of the T'ang Dynasty, catalog of a loan exhibition organized by the Los Angeles County Museum. In: The Journal of Asian Studies, 17 (1957), pp. 142-143.


1958

Wu Chen: A Chinese Landscapist and Bamboo Painter of the Fourteenth Century. Doctoral dissertation, published by University Microfilms, University of Michigan, Ann Arbor, 1958.
"Ch'ien Hsuan and his Figure Paintings." In: Archives of the Chinese Art Society of America, 12 (1958), pp. 11-29.


1959

"A Rejected Portrait of Lo P'ing: Pictorial Footnote to Waley's Yuan Mei." In Arthur Waley Anniversary Volume of Asia Major, London, Lund Humphries (1959), pp. 32-39.

Review of: The Arts of the Ming Dynasty, catalog of an exhibition organized by the Arts Council of Great Britain and the Oriental Ceramic Society. In: The Journal of Asian Studies, 18 (1959), pp. 289-290.

Review of: The Tao of Painting: A Study of the Ritual Disposition of Chinese Paintings, by Mai-mai Sze. In: Ars Orientalis, 3 (1959), pp. 232-241.

Introduction to brochure of exhibition of paintings by Chi-chuan Wang, Mi Chou Gallery, New York, 1959.


1960

Chinese Painting. In: Treasures of Asia series, Editions d'Art Albert Skira, Geneva, Switzerland (1960). (Published also in French and German editions.)

Chinese Paintings, XI-XIV Centuries. New York, Crown Publishers (1960) French edition published by B. Arthaud, Paris (1962).

"Confucian Elements in the Theory of Painting." In: The Confucian Persuasion, edited by Arthur F. Wright, Stanford University Press (1960), pp. 115-140. Reprinted in: Confucianism and Chinese Civilization, edited by Arthur F. Wright, New York, Athaneum (1964)

"The Chinese Imperial Art Treasures." In: Horizon, January (1961), pp. 12-25.

"Concerning the I-p'in Style of Painting," by S. Shimada. Translated by J. Cahill. In: Oriental Art, 7 (1961), pp. 66-74 (continued in 1962).

"The Return of the Absent Servants: Chou Fang's Double Sixes Restored." In: Archives of the Chinese Art Society of America, 15 (1961), pp. 26-28.

"The Six Laws and How to Read Them." In: Ars Orientalis, 4 (1961), pp. 372-381.

Introduction and entries for the section on calligraphy and assistance with entries for painting, in: Chinese Art Treasures: A Selected Group of Objects from the Chinese National Palace Museum and the Chinese National Central Museum which were exhibited in the United States, 1961-1962.

Review of: Chinese Pictorial Art as Viewed by the Connoisseur, by R.H. van Gulik. In: Journal of the American Oriental Society, 81 (1961), pp. 448-450.

Review of: Some T'ang and Pre-T'ang Texts on Chinese Painting, by W.R.B. Acker. In: Ars Orientalis, 4 (1961), pp. 440-444.

"Chinese Art." Entry for Grolier Encyclopedia. Also sixteen biographies of individual Chinese artists, published in the same encyclopedia.


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